Interested in what we are currently showing in our galleries, but couldn’t make it to the reception last Thursday? Read below to find out what is currently living in the Baer, Godschalx and Permanent Collection Galleries, and then come on down to see the work for yourself.
Lightforms: Heather McKenna, Maria Rendón, Paul Simmons, and Nicholas Szymanski
The show, Lightforms: Heather McKenna, Maria Rendón, Paul Simmons, and Nicholas Szymanski, is guest curated by Kate Mothes and resides in the Baer Gallery. In the statement provided at the exhibit, Mothes emphasizes the influence of the enigma of light on the works in the show, particularly the relationship between “light, form, and space.” The artists represented in this show hail from Brooklyn, NY, Los Angeles, CA, Brooklyn, NY, and Grand Rapids, MI respectively, bringing a wide variety of style and experience to St. Norbert’s campus.
Rafael Francisco Salas: Ballads of the Middle
In his solo show in the Godschalx Gallery, Salas reflects on “American culture and identity,” and our “indignant desire for a dream continually just beyond reach,” as he so eloquently expresses in his artist’s statement. Using mixed media and a motif of musicians as witnesses to the “dispossessed and forgotten” Salas creates a show that is both comforting in its familiarity and nostalgia, yet unsettling in its demonstration of its intimate knowledge of the American public.
Preserving the Landscape
Preserving the Landscape is guest curated by one of SNC’s very own students, Kasey Pappas. The exhibition features four photographs by James Cagle, pulled from SNC’s own art collection. Check out this previously written blog post to find out more about the show and read an interview with Pappas herself about her experience curating her first show.
If you’ve visited the St. Norbert Art Galleries recently you may have noticed a humble, yet entrancing show tucked away in the Permanent Collection Gallery. This exhibition, Preserving the Landscape, features four photographs taken by former SNC art faculty member James Cagle, but is very special for one other reason as well: the show was curated by SNC sophomore Kasey Pappas.
Pappas curated Preserving the Landscape as a requirement of the Admissions Fellowship in the St. Norbert Art Galleries that she was offered her during freshman year. In the short booklet provided at the exhibition, Pappas explains her process curating the exhibition from entering SNC’s permanent collection storage, to researching Cagle and his work, and finally, deciding what pieces to show.
I won’t delve into too much of what is said in the booklet here as I believe standing in front of the artwork and reading Pappas’ eloquent discourse a rather magical experience that should be given its due, but I am honored to say that I was able to relay some additional questions to Pappas regarding her experience curating her first exhibition. Pappas’ answers reveal the depth of thought and heart that was put behind this show, something I believe that could only have been pulled off by an especially intentioned and hardworking student.
Q: In the booklet you’ve created to go with the exhibition you write very passionately about preserving nature and landscapes no matter their perceived beauty. What relationships have you had with nature in the past that fuel this passion? Are there specific locations or spaces that you feel connected with?
A: I grew up in Spring Green, WI which is a very small town and lived in a home surrounded by pines and oaks so nature was an aspect I came into contact with in my everyday life. The area I grew up in has always been heavily influenced by the surrounding landscape. This interest in landscape also derives from my past experiences working for the Frank Lloyd Wright Preservation. I was able to see art through a different perspective and developed a love for art that incorporates nature and learned more than I could ask for while working for that preservation. Since I had lived in Spring Green for over 10 years, the reasoning for choosing Cagle’s work was because I missed the type of influential landscape I had grown up around and his photographs reminded me of those places. I ultimately wanted to curate this show to push for a greater appreciation towards preserving the landscape.
Q: What have you learned from your first experience as a curator? Has it changed the way you perceive art?
A: I learned more than I anticipated while curating this show. Despite the show being relatively small, I was able to conquer a lot of obstacles while curating it. I learned to take my time instead of rushing through finding what information to put in the booklet that is included in the show. I also learned to not shy away from asking for help; I worked with the research center on campus and Shan Bryan-Hanson who worked with me to curate this show. It was a goal of mine to do the best I could do and grow while doing so. Curating this show did alter the way I perceive art; there is so much more that goes into displaying work than just hanging work onto a wall. The way a show is curated and displayed can be what can makes the work more or less attractive and I enjoyed learning how to successfully curate artwork.
Q: Has curating this exhibition influenced your future career goals?
A: Definitely! I was interested in curating a show the moment I applied for the fellowship and saw it as an opportunity to expand as a person and gain better insight to what goes on behind the scenes. I am also appreciative to have been able to experiment and work outside my comfort zone. Since I had never curated anything before, I was doubtful at first but this experience resulted in being able to better how I conduct research. Throughout the research process, being able to collectively put information into a small booklet and design the front and back cover helped me to realize the passion I have for graphic design. Curating this exhibition influenced an even greater interest in design and working with others to display art.
Pappas further elaborates on her appreciation of landscape in the aforementioned booklet and believes Cagle’s black-and-white photographs of scenery around Dartmoor National Park to be exemplary in doing just that: in the absence of color the viewer must turn their eye strictly to the natural form and composition of the land. Cagle’s work in Preserving the Landscape is timeless and reminiscent of a golden age of photography–when everything viewed through the lens was exciting and novel, and brought new appreciation and light to easily overlooked beauty. We owe a debt to both Cagle’s work Pappas’ curation for reminding us in our busy world to stop and enjoy the simple beauty of nature.
To see these works for yourself and to celebrate Pappas’ achievement join us Thursday, January 25 from 5-7p.m. for the first gallery reception of our spring season, and while you’re there, take the chance to view our other current shows: Lightforms: Heather McKenna, Maria Rendon, Paul Simmons, and Nicholas Szymanski, and Rafael Francisco Salas: Ballads of the Middle.
Preserving the Landscape will run from January 22 to February 16 2017.
The campus is in a flurry of activity as the fall semester comes to a end. We wish it were not so, but the Bush Art Center Galleries will be closed for winter break. However, don’t fear, we will return for the spring semester!
Check out the shows and dates for the upcoming season and plan to come and enjoy them.
Until then, have a Merry Christmas, Happy Holidays, and a very Happy New Year.
As of this week the SNC Juried Student Art Exhibition for 2017-2018 is open for viewing. This year’s show features some truly breathtaking pieces. As you’re gearing up your stomach for the fast-approaching Thanksgiving feast, make sure to stop by and treat your eyes to this colorful spread.
This year’s awards judge is SNC alumnus Zane Statz, and awards will be announced at the exhibit reception this Thursday, November 16 from 5-7 p.m.
As October ends the start of this year’s Juried Student Art Exhibition draws closer and with it a chance to view some of the best student artwork SNC has to offer in a formal and professional setting. To get us in the mood, let’s take a closer look at some of the student artwork currently being displayed around the Bush Art Center (BAC).
The second floor of the BAC features some photographic selections from two of Professor Brandon Bauer’s classes: Introduction to Photography and Digital Imaging, and Contemporary Photographic Strategies. These selections make up a beautiful mosaic of digital imagery that shows just how powerful these students are with a manual camera in their hands.
Also on the second floor, Professor Katie Ries’ Beginning Printmaking class has a display of hand-made monotypes. These monotypes were made by both adding and removing ink from a piece of square plexiglass that is then run through the press with a piece of high quality paper to create the print. By using only black ink, the students are able to showcase their composition and design abilities, demonstrating that you don’t need color to make a powerful image.
The display case on the first floor of the BAC features a selection of self-portraits from Professor Debbie Kupinsky’s class Introduction to Studio Art. Each student had to create a portfolio of 25 self-portraits for the assignment and then chose their best to display. Through the variation of line and style of mark making, the personality of each student truly shines through in each of their images.
Debbie Kupinsky’s Introductory Sculpture class is also garnering a lot of attention on the first floor with their installation of “Monumental Foam.” Each student took a small object and sculpted a larger-than-life-size version from only sheets of large foam board. These sculptures are a favorite of students and faculty passing through the art building. That’s some art that is certainly hard to miss!
Finally, students Emerson Bartch, Jim Rogers, and Ben Wylie currently have a sculpture display in the Clubhouse Gallery–the student-run gallery space on the second floor of the BAC.
The craftsmanship of these pieces, created for Debbie Kupinsky’s Intermediate Sculpture class, is truly phenomenal, and reads as a cohesive, professional exhibition. You would be remiss to miss out on seeing these pieces, so make sure to go and check them out.
If you enjoyed this selection of work by SNC students, make sure to attend the Annual Juried Student Art Exhibition in the Baer Gallery to see other great pieces. The show runs from November 13-December 8 with a reception on November 16. It will surely be a display you will not want to miss.
Although the coming of fall this year has been somewhat unreliable of late, you can count on the changing of the exhibitions here at the SNC Art Galleries to be dependable and swift.
We have two new exhibitions this month, each with their own enticements and merits. Read on below to discover what’s new and get the details for this month’s gallery reception.
The Baer Gallery currently holds the exhibition Johanna Winters: What the Pleasures Told Us. Winters, as she tells us in her artist’s bio available on her official website, “hails from Minneapolis, MN and received her BA from the University of Wisconsin…In her work she applies modes of printmaking, hand-driven animation, and puppetry to consider ideas about vanity and shame.” Her work in this particular exhibition, as she tells us in her artist’s statement available for viewing at the exhibition, “…behaves as coping rituals for anxieties about aging, vanity, disappointment, shame, and pleasure.” Winter’s is currently working towards her MFA at the University of Tennessee-Knoxville
Winter’s exhibition at the Baer Gallery is guest-curated by Katie Ries, SNC Art Faculty member. Ries provides an insightful statement about Winter’s work also available for consumption at the gallery. One line in particular sums the mysterious and poetic work up beautifully: “This is how it feels to be human, coming up short, loving things, and figuring it out as we go along.”
This month the Godschalx Gallery features the show Graphic Design History & Rock and Roll. This show is comprised of work made by St. Norbert College art students. The show features dozens of original band posters, each variously influenced by a historical graphic design style. Some of the bands featured are well-known, and some come out of the imaginations of the students themselves.
Each poster in the show is impressive by itself, but collaged together in one space they present a power-punch of movement and color that is not to be missed.
A reception for both of these shows will be held on October 19, from 5-7p.m. and will feature a performance art piece by Johanna Winters. Light food will be available as well as wine for those of age. All of us at the gallery bid you welcome and hope to see you there!
This year’s SNC Day was a smashing success all around, and the activities held at the Bush Art Center were no exception. Over 700 students, alumni, and community members visited the BAC to tour the galleries, make pennants to mirror Katie Ries’ piece “Pennants 2017” currently showing in the Art Faculty Triennial Exhibition, and earn their Observation badge with the Land Scouts—an organization started by Ries and focused on promoting good stewardship with the land around you.
Scroll down to see some photos from the day’s events and relive the fun right along with us.
Monday, August 28th marked the opening of 2017’s highly anticipated Triennial Faculty Exhibition in the Baer and Godschalx Galleries here at St. Norbert College.
You’ve had them in class, seen them around campus, or perhaps you haven’t had the grace of meeting them yet, but from now until September 22nd come explore the personal creations of SNC’s art faculty and discover what drives them to create outside of the academic setting.
Exhibits range from graphic prints and gouache paintings, to both stoneware and found-object sculpture and multimedia photography displays. Weekly gallery hours run Monday, Tuesday, Wednesday, Friday, from 9am-3pm, and on Thursday from 9am-7pm.
Join us on Thursday, September 7th, from 5-7pm for the opening reception of the exhibition which includes food and drink, and the chance to meet the artists.
And don’t forget to stop by the galleries on SNC day, Saturday, September 16th for a unique look at the exhibits as well as some interactive activities suitable for the whole family.
Read below for some preview photos and information about each faculty members’ exhibition:
Katie Ries’ nature-inspired exhibition revolves around her group, the Land Scouts, which promotes interaction and respect for the natural world around you, whether that be in a rural, or urban environment. Her paper and felt pennants, along with her series of trading card paintings, seek to foster a camaraderie between friends and individuals as they observe and draw what they see around them.
Brian Pirman showcases both his graphic design and sculptural talents, but with a strong theme of collage running through all of them, tying the pieces together although they are each distinct. Pirman’s incredible ability to layer both two-dimensional and three-dimensional objects create works of art that invite continual viewing, and with each new look a different aspect of the piece is uncovered.
Coming out of a very productive summer sabbatical, Shan Bryan-Hanson has a full arsenal at the ready for the Triennial Faculty Exhibition. Initially inspired by Victorian “dew walkers” as well as late 19th and early 20th century decorative design, Bryan-Hanson’s paintings bring together both the free form and geometrical aspects of nature. Along with the airy, jewel-toned pastels running throughout all of the paintings, walking through this exhibit will make you feel like you are in the height of summer although we are already well on our way into fall.
For the Faculty Exhibition Brandon Bauer presents an abbreviated version of his show, entitled Landscapes of Absence. In his work, Bauer flips the historical notion of erasure from photographs on its head by transforming it into a power for good. By erasing the dark and gruesome elements of ISIS beheadings from their original landscapes, Bauer seeks to restore both the humanity and dignity to the places and individuals affected by the actions of ISIS. With both visual and audial stimulation, Landscapes of Absence presents a powerful showing that promotes a depth of thought on the concept of narrative control in today’s media entrenched world.
Well known around campus for delivering consistently engaging art history lectures, James P. Neilson, O.Praem. certainly doesn’t disappoint when delivering art itself. Working in the Arte Povera aesthetic, Neilson uses ordinary, found objects left to him by former faculty member Bill Bohné to create extraordinary and otherworldly sculptures that inspire anyone to become an artist by first appreciating the beauty immediately around them.
Debbie Kupinsky’s exhibition focuses on the hybrid spaces that are created when humans come into contact with and affect the natural world. Using porcelain, stoneware, and found objects, Kupinsky creates an ethereal yet imposing wall-to-wall show in the Godschalx Gallery.
As part of the exhibition Shelter and Clothing, a tiny house will be on display on the lawn outside the Bush Art Center. Open house hours are M, T, W, Th, 12-2 p.m. and F, 11 a.m. – 1 p.m., Aug. 29-Sept. 23. The house will also be open for tours on Saturday, Sept. 17, 10 a.m. – 5 p.m. Free and open to the public.